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Thrilled to share that I was asked to contribute a few words for the 140th anniversary issue of Amateur Photographer magazine, alongside some true legends of photography! It’s an honour to be part of this historic milestone for a magazine that’s been such a significant part of British photographic history.

This latest, bumper 100-page premium edition is now available to purchase online or at your local newsagent today. Don't miss out on this special issue!




What's inside – highlights:

We look back on AP’s rich history and find out what the magazine means to some very famous photographers.

We also celebrate some iconic images from the past 140 years, while vintage camera expert John Wade looks at the most influential cameras from this period.

Bringing things up to date, we see what kind of camera and lens combination you can now buy for £140, and we reveal the winners of the APOY Landscapes round.

I've got an interview feature in the Jessops winter magazine 'IMAGE', currently available in all Jessops stores.
Go grab yourselves a free copy!

The latest issue (#207) of Digital Photographer magazine is now out. Check out my page feature on Photography Contest Judging in the Go Pro section!

Digital Photographer magazine is available for digital download.

I have a 5-page spread feature in the latest issue of Digital Photographer magazine. The main topic of interest is 'The Decisive Moment', where I reveal some in-depth tips and tricks into how I make, take and edit my street photography shots and a whole lot more!

Issue #203 is available to purchase online for just £5.00 includes shipping.

As a practicing street photographer and workshop tutor, I am also very fortunate to sell prints of my work to private collectors and commercial businesses like hotels. Being a bit of a perfectionist when it comes to how my images look even when just posting online. I am even more so fussy when it comes to how my images look when printed on paper whether for an exhibition or for art print purposes.

Over the last few years, I have accumulated folders and folders of test prints in my search to find a reliable, quality commercial printer service to fulfil my print sale orders and exhibition requirements. Some services have been good quality and some have been truly awful! It isn’t just the consistent print quality that is important, cost factors, speed to get orders out and just customer service, in general, are things I look for, when I decide which printing partner to work with, hopefully on an ongoing basis.

So, when L.Type prints got in touch and asked me if I wanted to sample the quality of their prints in exchange for an honest review, I was excited to give them a try.

To test out just how accurate their printers were, I sent them some high-res image files saved with their printer ICC (printing profile). I did no monitor calibration or any other special preparation of the image files.

On a late Friday afternoon, L.Type prints informed me that my prints would be finished and put in the post. I was very impressed that my prints arrived the following Monday via next day delivery!

The prints were extremely well packaged in a hardboard sturdy envelope. What first impresses you as you open up the package is their luxury, branded black L-Type casing that they send prints out in. Before you even see the prints, you almost expect high quality - I was not wrong. The A3 prints sent are printed on extra thick Fuji paper which makes the prints feel very luxurious indeed.

Then comes the image quality itself. The fine pixel detail of the printing is of a superior standard that I could not really fault. Considering that I had not calibrated my monitor, which when I have sent off test prints off to other printers has resulted in prints coming back either too dark or just looking tonally flat and lacklustre, these L.Type prints were sharp, tonally well balanced in contrast and brightness. I would not have any qualms about selling these as art prints or displaying them for exhibition purposes.



More about L.Type prints:

L.Type are a new small company based in the UK. They produce the world's only 400ppi true continuous tone prints available as individual prints, portfolio sets and lay-flat books. Print sizes go up to 1000mm x 305mm. Printed only on the very best Fuji professional silver halide papers to the highest standards achievable and at competitive prices. Presented and packaged beautifully in branded box sets and envelopes for maximum impact.

Special Offer!

Try L.Type prints today - get four A3 premium prints for £12 all-inclusive (saving almost £40!). Thereafter, get 15% off all print sheet orders for life. This introductory offer ends 31/07/2018.

Interested? Send your high-res images, with embedded colour profiles, to orders@l-type.com via WeTransfer, Dropbox or any other method. Simply mention LINDAWP4A312 as your promo code.

Any questions? Email info@l-type.com. Visit www.l-type.com to learn more.

Before today’s launch, I was asked by Panasonic to test drive one of their newest Micro Four Thirds, Lumix G cameras. The GX9 is marketed as a step up to the current compact GX8. I only had a week with a hands-on test drive of the GX9, equipped with a few Lumix lenses, but my first impressions are good. Here is a round up some of the highlights…

As a street/lifestyle photographer, there are certain criteria I look for in a camera, and I would say the GX9 covers a lot of them. The body itself, which is quite compact in size, and simple in design, felt very solid and weighty in a good way. A large, well defined hand grip, so even though I wore a strap around my wrist, I never felt the camera would slip from hands, thanks to a well designed contoured grip at front and at back for the thumb. At first, I was concerned that the pad of my thumb would accidentally press function buttons at back, but thanks to a smart thumb-rest design this never happened. The large tilting touch-screen LCD screen is very sharp and clear. The ability to choose a single focus point and simply touch the screen to change that focus point position to anywhere I wanted made getting shots a breeze. An articulating EVF, which can be swiveled upwards so you are looking down to view, comes in useful for shooting at awkward angles and levels. I didn’t test out the built in Wi-Fi option this time around, but may come in very useful when on the road/travelling without a backup facility.

There are a LOT of features packed into the GX9, and also a lot of menu options to customise settings to suit your needs, which I ended up doing. I didn’t get a chance to review every single option. Instead I resorted mostly to using the handy Q MENU button on the back to get to the most commonly used settings, to make any necessary changes on the fly. Again, I didn’t really read the manual, but then the menus themselves are quite intuitive and once you have the personalised settings that you want you are ready to go.



There are only two dial knobs for simple control - the Aperture dial at the front and the shutter dial on the back. As mentioned the smart grip design meant that I was able to continue looking through the viewfinder to see my changes, while instinctively adjusting the appropriate dial settings without having to look at the camera. This functionality came in handy when shooting candid street scenes. Coupled with a 20MP sensor, fast auto focus, a high burst rate with no buffer lag, I felt assured that I would never miss a moment. I tested out the 4K Photo option, which allows you to record a 4k video then select and save a high quality 4k photo frame. Ideal when you want to grab the perfect moment in fast moving action giving you a great sharp shot.



Other useful features include a silent shutter mode, which came in really handy for close up candid shots in quieter locations. I dabbled with some of the in-camera filters, typically sticking with the ‘street photography’ monochrome filters, which are a fun feature to have if you don’t shoot RAW. Another useful feature is the ability to set a minimum shutter speed and a maximum ISO range number. Pushing the ISO to 3200 on a night shoot, I was still able to produce decent quality images. Thanks to built in image stablisation, I was also able to lower my shutter speeds a little lower then usual, without the effects of camera shake. Overall, the GX9 was a pleasure to use, and managed to produce high quality, sharp images that I was impressed with.

The 7 Essential Rules of Street Photography

Check out a new article on Photographytalk.com website, offering some helpful beginner street photography tips! I was asked to contribute some street photography 'wisdom' to the article which I hope you find useful. Happy shooting!

The Interactive Design Institute asked me to participate in an article for their blog page. I was asked to submit a top tip on capturing the perfect street photography shot, to help up and coming street photographers.

Check out the article here:



“My top tip if you’re after the perfect street shot? A good basic formula to start is all about the three Cs: Content, Composition, Critical Timing! Not having all three will most likely make for a weaker shot. So, the challenge is to obtain all three in one image!

“When it comes to reviewing your images for upload, be quite picky in your critique. Answer these questions: is the content and subject interesting or strong enough to hold the viewer? Is the composition clean and free from any distracting clutter? Am I at the right angle or perspective? Did I press the shutter button at the perfect time to capture the decisive and/or poignant moment? If you’ve answered yes to these questions, then you most likely have a cool street shot!”